006 | Skazka Skazok, Yuriy NORSHTEYN, 1979, SU

Tale of Tales, like Tarkovsky's Mirror, attempts to structure itself like a human memory. Memories are not recalled in neat chronological order; instead, they are recalled by the association of one thing with another, which means that any attempt to put memory on film cannot be told like a conventional narrative. The film is thus made up of a series of related sequences whose scenes are interspersed between each other.
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